Music
BY JUHAN LIIV
TRANSLATED FROM THE ESTONIAN BY
H.L. HIX & JÜRI TALVET
It must be somewhere, the
original harmony,
somewhere in great nature,
hidden.
Is it in the furious infinite,
in distant stars’ orbits,
is it in the sun’s scorn,
in a tiny flower, in treegossip,
in heartmusic’s mothersong
or in tears?
It must be somewhere,
immortality,
somewhere the original harmony
must be found:
how else could it infuse
the human soul,
that music?
***
Music
Reading through Juhan Liiv
From where she comes -
the music and the soul
the immortal and the corruptible
through the geometry of song
entangled
we are fallen post harmony
the original concordance
once we sang to the same chord
progression
recall the symphony of stars
(such stellar vibrations)
heavens above, harmonious wings
but when we're not looking, in
the in-between
she is furious and cataclysmic
like her wrathful father Elohim
'I am that I am' he intoned
was this the first jarring melody,
the paring back of the many
buried under the loathsome canker
is the sweetest bud
bellow the skin, below the mud
clouds and eclipses may obscure
the moon and sun
but the planets continue their
endless run
the mother-song is strong
the idea behind the thing goes on
and on
even your tear sings the blues
are you the most delicate tremble
of the blue hue
- By FT-Lynch, January 2021
***
Notes:
Soul and music – soul music,
the soul of music
Music from Muse – Art of the Muse,
the Art to a-muse
Music joins the mortal body and
soul, and by extension, to the infinite (that which is not corruptible, not subject to space and time)
Man ‘touches’ (apprehends) the
soul through vibration, through sound (not sight)
Geometric entanglement -
An entangled system is defined to be one whose quantum state
cannot be factored as a product of states of its local constituents; that is to
say, they are not individual particles but are an inseparable whole. ... As an
example of entanglement: a subatomic particle decays into an entangled pair of
other particles.
The geometric measure of entanglement is a means to quantify
the entanglement in a multi-partite system. This implies the existence of
entanglement between the subsystems. (Wiki)
‘Spooky action at a distance’
The original Fall of Adam and Eve
Science, Mathematics and Music – ‘music
of spheres’
Ptolemy also wrote an influential work, Harmonics, on music
theory and the mathematics of music.[43] After criticizing the approaches of
his predecessors, Ptolemy argued for basing musical intervals on mathematical
ratios (in contrast to the followers of Aristoxenus and in agreement with the
followers of Pythagoras), backed up by empirical observation (in contrast to
the overly theoretical approach of the Pythagoreans). Ptolemy wrote about how
musical notes could be translated into mathematical equations and vice versa in
Harmonics. This is called Pythagorean tuning because it was first discovered by
Pythagoras. However, Pythagoras believed that the mathematics of music should
be based on the specific ratio of 3:2, whereas Ptolemy merely believed that it
should just generally involve tetrachords and octaves. He presented his own
divisions of the tetrachord and the octave, which he derived with the help of a
monochord. His Harmonics never had the influence of his Almagest or Planetary
Hypotheses, but a part of it (Book III) did encourage Kepler in his own musings
on the harmony of the world (Kepler, Harmonice Mundi, Appendix to Book V). Ptolemy's
astronomical interests also appeared in a discussion of the "music of the
spheres".
‘For there is music wherever
there is harmony, order or proportion’
Sir Thomas Browne - "For there is a musicke where-ever
there is a harmony, order or proportion; and thus farre we may maintain the
musick of the spheres; for those well-ordered motions, and regular paces,
though they give no sound unto the eare, yet to the understanding they strike a
note most full of harmony. Whatsoever is harmonically composed, delights in
harmony." (Wiki)
Heavens above, harmonious wings -
God spreads
the heavens above us like great wings
- The Land Of
Heart’s Desire by WB Yeats
Elohim – name of God in the Hebrew
bible, also YHWH, or Yahweh. Where plural (deities) became singular – ‘the
Israelites probably borrowed the Canaanite plural noun Elohim and made it
singular in meaning in their cultic practices and theological reflections’
(Wiki); from harmony (multiplicity) to the singular melody
I am that I am, ehyeh ’ăšer
’ehyeh (Hebrew) – in time - I am, I was, I will be
… What is
his name? what shall I say unto them?
And God
said unto Moses, I AM THAT I AM: and he said, Thus shalt thou say unto the
children of Israel, I AM hath sent me unto you.
- Exodus,
3:13-14
Idea behind the thing – Wallace Stevens’
poem ‘Not Ideas About The Thing But The Thing Itself’, confluence of ideas and
materiality, from spark to text; also Plato’s theory of forms
(the beat) goes on and on, repetition
in music
Tear as in a clear drop of
salty liquid from the eye, or tearing us apart ; the silence of a
tear drop, the tearing of fabric
Tremble because of the she-wolf
(lupa) – embodiment of negative desire, lust, passion, cupidity, avarice,
greed, covetousness (possession of wealth)
For she
doth make my veins and pulses tremble
-
Dante
Blue – colour, mood, blues music
Hue – form, appearance,
complexion
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