Skip to main content

2 Music Poems


Music

BY JUHAN LIIV

TRANSLATED FROM THE ESTONIAN BY H.L. HIX & JÜRI TALVET

 

It must be somewhere, the original harmony,

somewhere in great nature, hidden.

Is it in the furious infinite,

in distant stars’ orbits,

is it in the sun’s scorn,

in a tiny flower, in treegossip,

in heartmusic’s mothersong

or in tears?

It must be somewhere, immortality,

somewhere the original harmony must be found:

how else could it infuse

the human soul,

that music?


                                                        ***


Music

 

Reading through Juhan Liiv

 

From where she comes -

the music and the soul

 

the immortal and the corruptible

through the geometry of song entangled

 

we are fallen post harmony

the original concordance

 

once we sang to the same chord progression

recall the symphony of stars (such stellar vibrations)

 

heavens above, harmonious wings

but when we're not looking, in the in-between

 

she is furious and cataclysmic

like her wrathful father Elohim

 

'I am that I am' he intoned

was this the first jarring melody, the paring back of the many

 

buried under the loathsome canker is the sweetest bud

bellow the skin, below the mud

 

clouds and eclipses may obscure the moon and sun

but the planets continue their endless run

 

the mother-song is strong

the idea behind the thing goes on and on

 

even your tear sings the blues

are you the most delicate tremble of the blue hue

 

- By FT-Lynch, January 2021


                                                    ***


Notes:

Soul and music – soul music, the soul of music

Music from Muse – Art of the Muse, the Art to a-muse

Music joins the mortal body and soul, and by extension, to the infinite (that which is not corruptible, not subject to space and time)

Man ‘touches’ (apprehends) the soul through vibration, through sound (not sight)

Geometric entanglement -

An entangled system is defined to be one whose quantum state cannot be factored as a product of states of its local constituents; that is to say, they are not individual particles but are an inseparable whole. ... As an example of entanglement: a subatomic particle decays into an entangled pair of other particles.

The geometric measure of entanglement is a means to quantify the entanglement in a multi-partite system. This implies the existence of entanglement between the subsystems. (Wiki)

‘Spooky action at a distance’

The original Fall of Adam and Eve

Science, Mathematics and Music – ‘music of spheres’

Ptolemy also wrote an influential work, Harmonics, on music theory and the mathematics of music.[43] After criticizing the approaches of his predecessors, Ptolemy argued for basing musical intervals on mathematical ratios (in contrast to the followers of Aristoxenus and in agreement with the followers of Pythagoras), backed up by empirical observation (in contrast to the overly theoretical approach of the Pythagoreans). Ptolemy wrote about how musical notes could be translated into mathematical equations and vice versa in Harmonics. This is called Pythagorean tuning because it was first discovered by Pythagoras. However, Pythagoras believed that the mathematics of music should be based on the specific ratio of 3:2, whereas Ptolemy merely believed that it should just generally involve tetrachords and octaves. He presented his own divisions of the tetrachord and the octave, which he derived with the help of a monochord. His Harmonics never had the influence of his Almagest or Planetary Hypotheses, but a part of it (Book III) did encourage Kepler in his own musings on the harmony of the world (Kepler, Harmonice Mundi, Appendix to Book V). Ptolemy's astronomical interests also appeared in a discussion of the "music of the spheres".

‘For there is music wherever there is harmony, order or proportion’

Sir Thomas Browne - "For there is a musicke where-ever there is a harmony, order or proportion; and thus farre we may maintain the musick of the spheres; for those well-ordered motions, and regular paces, though they give no sound unto the eare, yet to the understanding they strike a note most full of harmony. Whatsoever is harmonically composed, delights in harmony." (Wiki)

 

Heavens above, harmonious wings -

God spreads the heavens above us like great wings

- The Land Of Heart’s Desire by WB Yeats

Elohim – name of God in the Hebrew bible, also YHWH, or Yahweh. Where plural (deities) became singular – ‘the Israelites probably borrowed the Canaanite plural noun Elohim and made it singular in meaning in their cultic practices and theological reflections’ (Wiki); from harmony (multiplicity) to the singular melody

I am that I am, ehyeh ’ăšer ’ehyeh (Hebrew) – in time - I am, I was, I will be

… What is his name? what shall I say unto them?

And God said unto Moses, I AM THAT I AM: and he said, Thus shalt thou say unto the children of Israel, I AM hath sent me unto you.

- Exodus, 3:13-14

Idea behind the thing – Wallace Stevens’ poem ‘Not Ideas About The Thing But The Thing Itself’, confluence of ideas and materiality, from spark to text; also Plato’s theory of forms

(the beat) goes on and on, repetition in music

Tear as in a clear drop of salty liquid from the eye, or tearing us apart ; the silence of a tear drop, the tearing of fabric

Tremble because of the she-wolf (lupa) – embodiment of negative desire, lust, passion, cupidity, avarice, greed, covetousness (possession of wealth)

For she doth make my veins and pulses tremble

              - Dante

Blue – colour, mood, blues music

Hue – form, appearance, complexion

 


Comments

Popular posts from this blog

Philip Levine's Acid Rage - They Lion (lie and) Grow

  THEY FEED THEY LION by Philip Levine (1968)   Out of burlap sacks, out of bearing butter, Out of black bean and wet slate bread, Out of the acids of rage, the candor of tar, Out of creosote, gasoline, drive shafts, wooden dollies, They Lion grow.   Out of the gray hills Of industrial barns, out of rain, out of bus ride, West Virginia to Kiss My Ass, out of buried aunties, Mothers hardening like pounded stumps, out of stumps, Out of the bones' need to sharpen and the muscles' to stretch, They Lion grow.   Earth is eating trees, fence posts, Gutted cars, earth is calling in her little ones, "Come home, Come home!" From pig balls, From the ferocity of pig driven to holiness, From the furred ear and the full jowl come The repose of the hung belly, from the purpose They Lion grow.   From the sweet glues of the trotters Come the sweet kinks of the fist, from the full flower Of the hams the thorax of caves, From "Bow

From Academy to the Street, From Poetry To Prose

From academy to the street, from poetry to prose - Nicanor Parra – ‘My own antipoems use this blank verse. I’ve often been asked what an antipoem is and the most frequent response I’ve given, without realising  what I was saying is – “an antipoem is quite simple a dramatic utterance”, and a dramatic utterance, we would have to add, is a Shakespearean blank verse. Or rather, it is a hendecasyllable that lengthens and shortens, and that oscillates between the academy, the street and the fairground.   I’ve always worked with these elements: I’ve even managed to combine verse with eleven syllables and one with one syllable, and verses with prose. I thought it was a great invention of mine, but the Elizabethans were already working with these methods – Shakespeare used them in King Lear , where a large percentage of the work is written in prose, without us fully knowing what is verse and what is prose. This is very important: we could say that they are prosaic verses, or poetic verse’

The Strange and Compelling Inner Life of Clarice Lispector

Dedication - Cuando a la casa del lenguaje se le vuela el tejado y las palabras no guarecen, yo hablo When the house of language has its roof blown off and words do not shelter, I speak - fellow Latin American writer and contemporary, Alejandra Pizarnik, "Fragmentos para dominar el silencio” (Fragments to overcome silence)   ---   “ALL THE WORLD BEGAN WITH A YES. ONE MOLECULE SAID YES TO ANOTHER MOLECULE and life was born. But before prehistory there was the prehistory of prehistory and there was the never and there was the yes. It was ever so. I don’t know why, but I do know that the universe never began. Make no mistake, I only achieve simplicity with enormous effort” - From The Hour Of The Star (1977)   ---   When I read Clarice, I’m reminded of Montaigne - "I continually observe myself, I take stock of myself, I taste myself … I roll about in myself” Maurice Merleau-Ponty described Montaigne as someone who put "a consciousness astonished