Daniel Tashian, The Silver Seas, Burt Bacharach - All Weaving The Same Musical Thread - Review Of 'High Society'
TSS released High Society
in 2007. Commencing with an acoustic hesitation, The Country Life lifts
and soars with sprightly joy and establishes the overall direction and texture for all the
songs on the album – the emphasis is acoustic, with voices carrying the melody
and harmonies, featuring short and judiciously curated songs (about 3 minutes each).
TSS work the ballad form, like their predecessors Burt Bacharach, who had his peculiar
syncopations and jazz leanings, and Paul McCartney’s archetypal Long And
Winding Road. But I can also hear so many other artists who mine the same
musical thread, all those singer-songwriters, propagators of the troubadour
tradition, who dominated popular music in the 1960’s through to the 1980’s.
The melancholy of the descending melody
in She Is Gone, with that resolving chord, the tantalising drag of Tativille,
the lush vocal orchestrations of We’ll Go Walking and Hard Luck
Tom. Of course it’s Daniel’s voice, easy and accessible, that grounds every
song (except Tativille which is an instrumental).
It’s no surprise that Daniel recently released an excellent collaboration with Burt Bacharach. Their album Blue Umbrella (2020) is also highly recommended.
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