Skip to main content

'Grief Builds A Settlement Inside You' - New Poem By Carolina Edeid

Annotations for a Memorial

BY CAROLINA EBEID

 


Something so light

almost nothing

 

Not a list of violences

nor reports from beauty

 

One person looks up

& then another after

another looking

up in the same direction

 

Who took this picture of Fight ghost town

this is Palestine

graffitied in Hebron (al-Khalil)?

 

Who wrote, “they bring that desert stuff            to our world”?

 

My father writes on my wall:

I remember these birds, they used to fly by

the thousands to the wheat fields,

we called them zarzour in Arabic

 

It begins to waste

like a bar of soap

 

turned in your hand,

the repeated word

 

(the boy spins into a curtain)

 

(whirl-like smoke)

 

(bewitchingly out of the mouth)

 

Grief builds a settlement inside you

 

When Eric played the album of abnormal heart sounds

recorded for medical students,           I felt sorry

 

And how the brain can’t hold an archive

of every sound you’d like to hear again

You could listen by holding your hand to your ear

 

Grief will probably

redraft your whole

anatomy:

 

harbour opens from the chest — 

a cargo ship drifting out,

seen & tracked by a satellite

 

Source: Poetry (September 2018)

 

                                                                     ***

 

Carolina Ebeid was born to Palestinian and Cuban parents and grew up in West New York, New Jersey

Comments

Popular posts from this blog

From Academy to the Street, From Poetry To Prose

From academy to the street, from poetry to prose - Nicanor Parra – ‘My own antipoems use this blank verse. I’ve often been asked what an antipoem is and the most frequent response I’ve given, without realising  what I was saying is – “an antipoem is quite simple a dramatic utterance”, and a dramatic utterance, we would have to add, is a Shakespearean blank verse. Or rather, it is a hendecasyllable that lengthens and shortens, and that oscillates between the academy, the street and the fairground.   I’ve always worked with these elements: I’ve even managed to combine verse with eleven syllables and one with one syllable, and verses with prose. I thought it was a great invention of mine, but the Elizabethans were already working with these methods – Shakespeare used them in King Lear , where a large percentage of the work is written in prose, without us fully knowing what is verse and what is prose. This is very important: we could say that they are prosaic verses, or poetic verse’

Breaking Heads - Two Rompecabezas From Nicanor Parra

  PUZZLE by Nicanor Parra   I give no one the right. I love a piece of rag. I shift tombs back and forth.   I shift tombs back and forth. I give no one the right. I'm a ridiculous sort In the light of the sun, The plague of soda fountains Dying of rage.   I am a hopeless case, My own hairs accuse me On the bargain altar The machines give no pardons.   I laugh from behind a chair, my face fills with flies.   I am the one who can’t say what he means Talking in long rows of what.   I stutter, With my foot touches a sort of foetus.   What are these stomachs for? Who made up this mess?   It's best thing is not to let on. Thinking one thing I think something else. (Translated by W.S. Merwin) Rompecabezas   No doy a nadie el derecho. Adoro un trozo de trapo. Traslado tumbas de lugar.   Traslado tumbas de lugar. No doy a nadie el derecho. Yo soy un tipo ridículo A los rayos del sol, Azote de las fuen

The Strange and Compelling Inner Life of Clarice Lispector

Dedication - Cuando a la casa del lenguaje se le vuela el tejado y las palabras no guarecen, yo hablo When the house of language has its roof blown off and words do not shelter, I speak - fellow Latin American writer and contemporary, Alejandra Pizarnik, "Fragmentos para dominar el silencio” (Fragments to overcome silence)   ---   “ALL THE WORLD BEGAN WITH A YES. ONE MOLECULE SAID YES TO ANOTHER MOLECULE and life was born. But before prehistory there was the prehistory of prehistory and there was the never and there was the yes. It was ever so. I don’t know why, but I do know that the universe never began. Make no mistake, I only achieve simplicity with enormous effort” - From The Hour Of The Star (1977)   ---   When I read Clarice, I’m reminded of Montaigne - "I continually observe myself, I take stock of myself, I taste myself … I roll about in myself” Maurice Merleau-Ponty described Montaigne as someone who put "a consciousness astonished