The Poem Returning as an Invisible Wren to the World
BY LARRY LEVIS (1946-1996)
Once, there was a poem. No one read it & the poem
Grew wise. It grew wise & then it grew thin,
No one could see it perched on the woman's
Small shoulders as she went on working beside
The gray conveyor belt with the others.
No one saw the poem take the shape of a wren,
A wren you could look through like a window,
And see all the bitterness of the world
In the long line of shoulders & faces bending
Over the gleaming, machined parts that passed
Before them, the faces transformed by the grace
And ferocity of a wren, a wren you could look
Through, like a lens, to see them working there.
This is not about how she thew herself into the river,
For she didn't, nor is it about the way her breasts
Looked in the moonlight, nor about the moonlight at all.
This is about the surviving curve of the bridge
Where she listened to the river whispering to her,
When the wren flew off & left her there,
With the knowledge of it singing in her blood.
By which the wind avenges. By which the rain avenges.
By which even the limb of a dead tree leaning
Above the white, swirling mouth of an eddy
In the river that once ran beside the factory window
Where she once worked, shall be remembered
When the dead come back, & take their places
Beside her on the line, & the gray conveyor belt
Starts up with its raspy hum again. Like a heaven's.
***
Writing is interesting and transformational.
I write first for myself. I was talking to my wife last week
… and she was saying, “Why. Why this, why that?” She would say in letters,
“You’re still writing. You write all the time. Just keep writing”, and I would
reply. “I’m afraid if I stop I won’t do it anymore.” And she said, “Well, why?
What are you afraid of?” And I said, “Well, writing keeps me feeling good about
myself, keeps me feeling alive, keeps me …,” and the I said, “It’s the only
thing that keeps me interested”… Suddenly everything comes back and it’s at
once crystal clear and also meaningless: that tree disguised in shadow in
summer, sunlight on a doorstep that transforms it into a threshold of desire
and then of loss, just the pure phenomenon. (My italics. P.93, The
Gazer Within)
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